The genius of masks

Halloween. The time for costumes and disguises. One of the few days in the year where the are accepted and worn deliberately and openly also in public more then otherwise. Time for me to write a post on masks, a kind of disguise of the face.

I'm mostly unaware of Asian cultures and also movies. It's not a particular interest of mine to watch Asian movies or dealing with Asian cultures, at least not in detail. A friend of mine that I only know via E-Mail contact so far, wrote to me a while ago that the expressionless masks of the Japanese No Theatre are fascinating to him.

Two days ago I watched the two part movie “It” (from 1990). No wonder that people are afraid of clowns after such a movie. Clowns made up or with mask scare a lot of people. Personally I don't quite understand that. There are scary masks and especially clown masks. Add to that the aggressive behaviour of mask wearing people from last year, I can understand the fear of people like them, but not the general fear of clowns as such. I don't mean this as a criticism. I would very much like to understand what scares people so much about clowns. Maybe there are readers that are afraid of clowns and could explain it. Feel free to leave me a comment!

Masks of criminals are meant to conceal the true identity for them to be unknown and therefore free from punishment. Superheroes on the other hand use masks to hide their own identity for criminals that may otherwise hurt or even kill them more easily without their costume and corresponding weapons. But the lives of the people the superheroes love is also protected by the mask of the hero. Because it could be a leverage for the criminal to kidnap important people and threaten their life to force the superhero to do certain things, as can be seen for example in “The Dark Knight” after the Joker learns that Batman/Bruce Wayne cares a lot about Rachel Dawes and the Joker gives the order to kidnap her.

A mask of a particular kind is worn by the anti-hero Rorschach from “Watchmen” by Alan Moore and Dave Gibbons. Over the course of the story Rorschach is caught and described by the psychiatrist who questions him as “fascinatingly ugly”. The name Rorschach originates from the psychiatrist and psychoanalyst Hermann Rorschach who invented a test named “Rorschach test”, which are ink blots images that the person has to interpret and say what they see in them. The blots are a symmetrical and mostly black. There are also some with more colours. Rorschach from Watchmen worked with clothes as a young man and during that time he gets a special cloth that is white with black, moving and continuously changing blots. Originally he makes a dress from that for a customer, but she eventually disregards it as ugly. Later he uses that cloth to make himself a mask from it with symmetrical black blots that keep changing. Rorschach calls this mask his “face”. After he is ambushed and caught by the police, the mask gets ripped off and he screams, “No! My face! Give it back!” Regardless of Rorschach's personal attitude towards his mask, the description of “my face” for is (actual) mask seems fitting though. A face is usually moving and changes in relation to emotions. The psychiatrist notes however that Rorschach's face is expressionless and finds it difficult to tell what really goes on in him emotionally. Regardless of Rorschach's own attitude towards his (actual) mask, it therefore seems actually fitting when he calls it his "face". His (actual) mask is moving and his (actual) face is expressionless like other masks usually are. It's not necessarily noticed by the reader or viewer of the movie, but the blots on Rorschach's “face” are not only moving, but are in fact linked to his emotions and show identical blot patterns at different times when the same or similar emotions can be assumed!

I also want to mention the post “The Hidden Genius of RORSCHACH's Mask! (Watchmen)“ by Scott Niswander from NerdSync. Among other things he points out in his post that the moment and timing of unmasking is often a bit strange choice. Often the masked person is unconscious or at least bound or otherwise hindered to resist and their identity unknown. The unmasking therefore is a sort of humiliation, because the identity is then revealed at least for the person taking off the mask of the one wearing it. The interesting thing about this is that with this there is a possibility to completely eliminate the masked person, meaning to kill them. But the unmasking and with this revelation of the secret of who is behind the mask, seems a stronger urge for the person that is with the masked person at that moment. Scott Niswander mentions a scene from “Spider-Man 2” and “The Dark Knight” for this.

In regards to unmasking or taking off masks let's one more time refer to Watchmen. Rorschach's true identity (or in his case probably better: identity without “his face”) is revealed to the reader and other people in the story with the aforementioned arrest. He does have “his face” back on for the final fight though. Normally every masked person would resist even at the threat that his masked may be taken away. Understandably so, because the secret identity up until that moment is at risk and also the possible security of beloved persons, as mentioned above. Rorschach, too, resists and screams for his face during his arrest. At the end of Watchmen however he himself takes off his face, his mask and faces his final enemy this way.

In 2012 a series of books came out that showed individual Watchmen characters before the events of Watchmen. Accordingly the series is called “Before Watchmen”. Of course there is also a story about Rorschach by Brian Azzarello and Lee Bermejo. Then and now the story itself doesn't seem to appeal to many people. Like with all stories, I think, this is a matter of personal taste and different people have different tastes. Regarding unmasking there is however one interesting moment in “Before Watchmen: Rorschach”, too. Over the course of the story he gets beat up by a group of bad people and several of the henchmen eventually keep him in check. One of the henchmen wants to take off Rorschach's mask, to see what the fearful Rorschach looks like without the mask. But his boss calls him back and is noticeably disappointed by the fairly short man (described in Watchmen with a height of 168 cm/5' 6 '') to have him caught and defenceless that easily, “Rorschach. Huh. For some reason, I thought... Dude, you don't measure up to your myth. I mean, what the hell? I cocked up this elaborate scheme just to take you down? What was I thinking? Big bad Rorschach. Well, bad anyway Frankly, I'm disappointed in myself. That I stooped to your level. No, no, lucky Pierre. You know what's under that mask? Nothing that matters. In this case, the mask makes the corpse.” After they beat him up some more and seemingly leave him there to die, he adds, “And the front page.“ In another moment of that story one of the bad guys gets his hands on Rorschach's mask and for a moment he can take on Rorschach's identity, because if nobody knows who is behind the mask, a lot of people could be underneath it. Hurm...