M&M: The Legend Of 1900

"You're never really done for, as long as you've got a good story and someone to tell it to."

The trumpet player Max Tooney (Pruitt Taylor Vince) tries to sell his trumpet in a shop. The shop owner (Peter Vaughan) actually wants to close the shop at that moment, but grants Max to play the trumpet for one last time. Max plays a melody which sounds familiar to the shop owner, who heard it on a broken matrix he found in an old piano. Max says that this matrix shouldn't actually exist and that's how he starts telling the shop owner the story of 1900.

1900 isn't a number but a man. As a baby he was left by his mother on the Virginian, a ship that was going back and forth between America and Europe. Danny Boodman (Bill Nunn), a worker on the ship, finds the boy in a box and raises him. Since Danny found the boy on the first month of the new century, he calls him that. Danny never registers the boy at any office, for fear they may take him away. When 1900 is eight years old, Danny dies from an accident. After that the boy hides so well that nobody can find him. When he's seen again, he's playing the piano perfectly and moving everyone. So he ends up playing in the band on the ship to earn himself some money. In the first class he is more or less playing from notes, in third class he's playing totally free and his own melodies. Although he's never registered somewhere, more and more people on land hear about his ingenious playing. That's how Jelly Roll Morton (Clarence Williams III) also hears of 1900 and challenges him to a duel. 1900 however has no idea how such a duel works.

One day Max leaves the ship again and loses contact with 1900. But when Max hears they're going to destroy the Virginian in short time, he goes looking for his old friend.

Will 1900 ever leave the ship? Who'll win the duel? Will Max find 1900 again? Those are questions only you can answer to yourself by watching the movie.

It's a bit curious that this movie from the year 1998 runs more than two hours when the book on which the movie is based is only about 80 pages long written by Alessandro Baricco. The book is thought to be a monologue, a one-man-theatre-play, which is why it also includes some directions. The trumpet player is called Tim Tooney in the book and he tells the story as a flashback, similar to the movie.

At first I was sceptical about such a long movie. But I was very positively surprised and the story totally captivated me, so the movie wasn't tedious for me. If you like piano music and/or movies about friendship, you might enjoy this movie.

M&M: Gridlock'd

Dear reader,

for the end of a year or a beginning of a year a movie like “Gridlock'd” from the year 1997 seems quite fitting. The movie is about two musicians, Spoon (Tupac Shakur) and Stretch (Tim Roth), who at New Year's Eve decide to quit taking drugs. The idea comes when the third member of the group, Cookie (Thandie Newton), has to be brought to a hospital after an overdose. They decide that life can't go on like that anymore. So off they go.

But the drug withdrawal turns out turns out more difficult than the two expected. They are sent from office to office and have to fill out different forms and meet requirements. Meanwhile they're also chased by gangsters and eventually the police is after them as well.

Howard Hesseman only plays a rather small supporting role as a blind man. However that man is repeatedly there in critical moments and able to help Spoon and Stretch. That's why there's even a topic on imdb.com in the forum for this movie, where people discuss what role Howard Hesseman has. At the very least he seems to be a sort of guardian angel for the two.

Overall Gridlock'd is a nice, entertaining comedy for me. Especially Tim Roth and Tupac Shakur seemed to have good chemestry between them. I don't know how realistic the movie is in regards to drug withdrawal and the many problems the two in the movie have to overcome. But it's no secret that the American healthcare system is very bad. I think, regardless of truthfulness of the movie, this fact does come across in this movie. Contrary to movies like “John Q.”, where the drama of the American healthcare system is shown, here it's used for entertaining comedy.

Gridlock'd is one of the last movies with Tupac Shakur. I can only agree with the opinion of others on the internet, that with his early death, the world has lost a talented actor.

Until next blog,

sarah

M&M: Skellig

Dear reader,

as today's M&M post, I want to introduce you to the movie “Skellig.” The film is based on the book by David Almond with the same title. Although it's a children's book, I enjoyed reading it as an adult a lot, too. It's one of the rare books, which are ageless. Like Harry Potter is read and loved by teenagers as well as adults.

The film (so far) is only available in English. It's got English subtitles, too. The book is available in English and German.

The story is about a boy, Michael (Bill Milner), who moves with his parents Dave (John Simm) and Louise (Kelly Macdonald) from a flat in the city to a rotten house further away and that house so needs renovation at least. Michael feels very alone without his friends. His dad is busy renovating and sees his life dream come true. Michael doesn't understand that at all. The baby is born then and has a heart problem. So the mother is away a lot to the hospital, dad sometimes as well. Michael feels even more alone than he felt already.

But he finds a new friend in the girl next door. Mina (Skye Bennett) is her name. She also knows a lot of things, especially considering she doesn't even go to school. Her mother teaches her at home.

Also there's this strange man (Tim Roth) in the garden shed. He seems to be ill and totally lost all his interest in life. All he wants is to be left alone. Michael and Mina however totally thwart those plans. Michael doesn't feel he gets any attention from his parents or that he's able to help them. But maybe he can help that man.

Michael doesn't only get help from Mina. There's also Grace (Edna Doré), an old lady he meets in the hospital. She's constantly walking up and down the hall to keep Arthur away, Arthur-itis. Michael tells her about his sad friend and Grace hands him some of her cod-liver oil pills. Maybe they can help him, too.

For a long time Michael and Mina don't know who this man in the shed is and it takes a while for him to tell them his name at least: Skellig. Once the two of them try to make it more comfortable for him, so they take the jacket off him. That's when they see he's got wings on his back. During their research for creatures with wings, they come across angels, too, of course. Maybe Skellig is an angel? Are human shoulder-blades the last bits or the starting points for wings of highly developed creatures?

One night the father is so desperate with the house and the situation with the baby in the hospital and everything in general, that he decides to just burn the shed. But Skellig is still in there and it takes all of Michael's effort and persuasion, to get him out at the very last second, without the father noticing. He hides Skellig in the forest near by. In doing all that however, Michael burns his hand. Thanks to Michael's and Mina's cockering, Skellig is soon on his way to get better. Then something strange happens: Skellig heals Michael's hand within only a few minutes completely! So when Michael's little baby sister is getting worse, he asks Skellig for help. Surely he can help with her heart problem, after healing Michael's hand. But Skellig is still grumpy.

Will Michael be able to persuade Skellig in time? That's for you to find out and read or watch or both.

And what kind of creature is Skellig? He tells the children that, “I'm something... like you. Something like a bird.” “Something like an angel?”, asks Michael. “Yeah”, says Skellig. “Something like that.” Tim Roth once said in an interview that for him Skellig is an “atheist angel”, an angel who's had enough of all of that, until he meets Michael.

Until next blog,

sarah

Let there be Lightman

Dear reader,

part of doing hypnosis and especially hypnotherapy, is to observe the client. Something very important is to look for incongruence. That's when the body contradicts the spoken word. You may have experienced this in your daily life before. Usually, I guess, we get a strange feeling. "Something" isn't quite right. It's when I'm with a friend and ask him if he wants to come over to my flat. His mouth says "yes", but he's shaking his head "no". So which is it now?

A certain Albert Mehrabian did an experiment and found out that if someone is incongruent, we break down his non-verbals and what he says. According to Mehrabian, about 55% is body language as such, 38% is speech (how fast it's said and that kind of thing) and only 7% is what's actually said. This means that when we're in doubt and someone is incongruent, we tend to trust the non-verbals and body language more than the actual talk. Mehrabian found that out in 1971. People still like to quote that study. But they misquote it badly actually. They leave out that his study was for incongruence and say that we trust the words only 7% all the time. That's wrong! I guess this misquoting and misinterpretation happens when people take out of the study what they like and other people quote the people quoting that study. I believe that rather few people actually read the original story, but (mis)quote it all over the internet. That's so sad.

Another person worth mentioning when the talk is about body language, incongruence and lies is Paul Ekman. He's the lead expert on deception and lies. According to Ekman, there are 7 basic emotions, which are the same with every human around the globe. They are:

anger: http://www.poptower.com/lie-to-me-picture-5708.htm

contempt: http://www.poptower.com/lie-to-me-picture-5709.htm

disgust http://www.poptower.com/lie-to-me-picture-5710.htm

fear: http://www.poptower.com/lie-to-me-picture-5711.htm

happiness: http://www.poptower.com/lie-to-me-picture-5712.htm

sadness: http://www.poptower.com/lie-to-me-picture-5713.htm

surprise: http://www.poptower.com/lie-to-me-picture-5714.htm

The pictures above show Tim Roth and the pictures have been made as part of the tv series "Lie To Me", where he plays the deception expert Dr. Cal Lightman. He's modelled after Paul Ekman, who also worked as consultant for the show. So "Lie To Me" isn't just any wanna-be-science show. Much of the science on that show is actually true and really works. FOX, which by now has cancelled LTM in the middle of season 3, has since taken away Paul Ekman's blog where he explains aspects of his science on almost all episodes. There are only a few exceptions, for episodes in which nothing special regarding his science came up. You can still read it here now: http://www.paulekman.com/lie-to-me/

Personally I have so far only read "Why Kids Lie" by Paul Ekman. It's a nice read. Especially I found it interesting that the book was a family project really. Paul started of, then his son took over to write from a child's point of view, including some advice for what parents should be doing or can do. And then his wife, who worked as an attorney, wrote the last chapters.

What fascinates me about body language and lie detection is the aspect of so called micro-expressions. That's very quick expressions you make showing your real emotion and then hide it with another expression. Paul Ekman is better at explaining this, so I'll let him talk here: http://www.youtube.com/watch?v=EXm6YbXxSYk

I think it's helpful to know the science of facial expression. Probably we don't need to bring it to perfection to see micro-expressions. Knowing the science of facial expressions as such, does help though. Lightman makes that point at the end of the second episode of season 1. In the pilot episode they get a new staff member, Ria Torres, who is a natural. She can see and correctly read facial expressions, including micro-expressions, without formal training. Lightman seems a bit annoyed by her and teases her quite a bit in that second episode. There are scenes when Torres says nothing, but Lightman reads her face and she shows negative emotions. She pays him back in the final scene when she reads his face. However he shrugs it off. When she calls him a liar, he simply tells her to get used to it. Seeing things is one thing. He tells her that without the science, she's unable to see the whole picture and people get hurt. I have to agree with him, that with the science of it in mind, we get a deeper understanding.

Paul Ekman also created programs to train yourself in recognising facial expressions as well as micro-expressions. If you're interested in those kind of things, check out his website.

One thing about detecting lies: It's a widely accepted myth that liars would break eye contact with you. The idea being that the liar can't stand looking you into the eye for a longer time. Probably for fear of you seeing he's lying. Actually eye contact says nothing about whether someone lies or tells the truth. As Lightman and his colleagues repeatedly state: The important thing is to have a base line. Some sort of reference point which tells you what the person is like in a fairly relaxed state. If you don't know what a person is like in a relatively relaxed state, you're unable to tell anything about him. If he has a twitching hand, even when you're talking small talk, it's likely to be a normal behaviour for him and has nothing to do with nervousness or impatience or anything like that. If that person has calm hands in a small talk situation and the hand twitches when the talk gets to more serious matters, it's likely that something is going on now. But a twitching hand as such means nothing. Similarly, if someone crosses his arms and legs, it doesn't necessarily mean disagreement. Notice what the person is like when you think he's fairly relaxed and telling the truth. Once the person does something else and breaks this behaviour in some general way, these may be signs of holding back informations and/or telling lies.

The british magician, or self-proclaimed "psychological illusionist" Derren Brown makes those points of how to tell a lie in his book "Tricks of the Mind" as well. He also explains a trick/experiment you can do with anybody willing to take part. If you go for the three main sensory systems we have visual, auditory and kinaesthetic. Ask a person five or so questions for each of those sensory systems. They should tell you the truth. It can be really simple questions. Notice how they move their eyes. If you think you know their pattern, you can ask them to tell you a number of things (say five again) and one should be a lie. The lie is when they don't keep their usual pattern of "truth telling", as you established before. Derren Brown makes it seemingly even more interesting and mysterious as he tells the person only to think of the answers and not say them aloud. Here's a video of Derren Brown doing this trick with car salesmen: http://www.youtube.com/watch?v=Gi2cvop3vbM

Go with Derren and make your choice about which facts are lies. Again: don't just go for eye contact or breaking eye contact. Eye contact or not are no indicators for lies or truths!

The blog title today comes from... you guessed it, Cal Lightman. In episode 2, season 3, we see him having problems starting to write his new book. Instead he procrastinates big time with making beans on toast at 4 a.m. and even sets off the fire alarm when he burns the toast. He's distracted with a video he watched on his laptop. So his daughter Emily comes down to see what's going on. She suggests writing just any sentence. Lightman rejects her first line, so he types into the laptop: "Let there be Lightman." and presents it with his arms stretched in a "ta-da!" kind of fashion. Emily tells him to hire a ghost writer and decides to go to bed again. I love the scenes with the two of them. Sometimes Emily seems much more grown-up than her dad. He often does what he feels like doing, which isn't always appropriate and sometimes even dangerous. See for yourself.

Well, I think that's it for now. My take on body language, truth, lies and those kind of things.

I'll keep you posted! Stay tuned!

Sarah