Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Tuesday, 25 December 2018

M&M: Passengers

The 2008 movie Passengers tells the story of the psychotherapist Claire Summers (Anne Hathaway), who gets called to help the five sole survivors of a plane crash. Eric (Patrick Wilson) is one of the survivors and unusually happy to euphoric after the crash. He refuses to go to the group meetings and confirms to Claire several times that he's not a patient. He completely refuses a therapy. Claire and Eric get closer to each other through the “house calls” anyway. Meanwhile the other survivors start to vanish. Eric hinted already during the first meeting with Claire that she should get in contact with her sister. But she doesn't answer calls and when Claire visits her, she's not at home. She does however meet an airline official, who asserts that all the passengers have died and the pilot had caused the disaster. The man leaves a pilot's case standing there. In it Claire finds a passenger list. On that list is also her own name.

The movie is overall pretty calm without huge action scenes. I personally mostly liked the relationship between Claire and Eric and the interactions of the actors off each other. Claire strives to help Eric, on his terms, and doesn't push him to the meetings with the others. Eric on the other hand seems sympathic, at least to me, despite (or because of?) his positive, reckless, euphoric way.

The revelation of what the deal is with the passengers at the end is probably not very surprising and similar to other known movies. In the end the movie, for me, isn't so much a mystery-thriller or drama, although it could be seen as that. For me, the movie is maily about relationships to other people and about people concerned for other people. Claire is concerned for the passengers and her neighbour (played by Dianne Wiest) and others are for her. It's obvious only at the end just how much and why they truly are.

When I watched the movie for the first time, I inevitably thought of a certain well known tv series. The end of that series and with that the revelation of what's going on with the characters there disappointed a lot of people. I myself didn't make it past the end of the first season of that series. As well known as the revelation of Passengers may be in the end, I think the way Passengers is told and constructed is way better and fairer for the viewer than the series was.

With all the relationships and care for other people, will there be a chance for the relationship between Clare and her obviously estranged sister? You'll have to see it for yourself.

This movie isn't set around Christmas, not even in winter. Defining for me to pick it for a review on December was a remark made by Eric, “That crash. It's like being born again.” Christmas celebrates the birth of Jesus (although not his re-birth) and is, more than other Christian holidays a holiday about relationships.

Sunday, 25 November 2018

M&M: The Hour of the Lynx

A young man arrives in a snowy small town and seemingly without reason brutally kills an elderly couple in a house. The man, by the name of Drengen, is caught and brought to the high security area of a prison. There the young psychologist Lisbet does an experiment by giving the inmates pets. Among them Drengen, who gets a red furred cat. Another inmate gets jealous during yard exercise time and throws the cat over the fence. Surprisingly Drengen has bonded a lot with the cat and ends up killing the other inmate in anger. The cat is found again. But Lisbet has to abandon the experiment. Since it's the last time with the pets, Drengen gets the cat back to say good-bye. But he claims that it's not his cat. He's convinced that god is speaking to him through the cat and pushing him to commit suicide. Lisbet doesn't know what else to do but involving the priest Helen.

Drengen is totally withdrawn and there's nothing they can get out of him that makes much sense. Helen persuades a guard to lock her in with Drengen in his cell over night. In the night Drengen starts talking and things start to make sense when he begins to talk about his past. You've got to watch yourself to find out what he's telling. The original title of this Danish-Swedish movie by the way is I lossens time.

As you can see above, Drengen is a young man, who is not afraid to use brutal force. So this movie isn't a totally easy one. Apart from those two murders however, the movie impresses by being markedly calm and makes one wonder, even well after the closing credits are over, about topics like blame, forgiveness and belief.

By the way, the source material for this movie was a theatre play The Hour of the Lynx (original title: Lodjurets Timma) by the Swedish writer Per Olov Enquist and is a play for five people, which premiered in April 1988 in Stockholm. The premiere for the German version was in 1992 in Ingolstadt. In 1991 the Hessische Rundfunk (Hessian Broadcast) and Sachsen Radio (Saxony Radio) together produced a radio play version of the theatre play.

Thursday, 31 July 2014

M&M: Stay

Dear reader,


in 2005 the movie “Stay” came out, one of my favourite movies. The story is somewhat dark and the ending is frustratingly open. What I like most though are the visual elements: the use of colours and transitions from one scene to another. Also I like Ewan McGregor and Ryan Gosling, who are both playing the lead roles in this movie.


Ryan Gosling is playing Henry Letham, a young man, who we see driving a car at the beginning. Then a tire blows and an accident happens. Cut. He's sitting on the street and as the camera moves away from him allowing us a wider view of the scene, we see the car burning behind him. He stands up and just walks along the street.


The psychiatrist Dr. Sam Foster (Ewan McGregor) had a bad night and overslept. But this should only be the beginning of a couple of very strange days for him. On the university campus he meets his friend and teacher Lila (Naomi Watts), who asks him what's wrong. The neighbours baby kept him awake. Lila is confused. The neighbours are 80 years old. Sam takes over for a sick colleague, among her patients is also Henry. He doesn't like the fact that suddenly someone else is his therapist. Is his therapist unable to cope with him and let that other one take over? But eventually Henry opens up and tells about his plan: “Saturday. Midnight.” That's when he's going to kill himself. On his 21st birthday.


Over the course of this movie, we see Henry and others driving in a car. Those scenes in the car are from a different time or indeed a different world(?) than the rest and in fact most part of the movie. I think I don't anticipate too much, when I write, that Henry in fact was badly injured during the car accident and is about to die. The psychiatrist “story” is all in his head and is his way of thinking whether he wants to live or die. He wants to live really. Otherwise he wouldn't have gone to Sam for help, who is in reality the driver of another car and now is giving first aid. Another woman, who Henry in his mind makes to be Sam's girlfriend, checks the car and tells him that the others are dead. Many things and people in the movie are twisted in Henry's head and used for the reality in his mind. Finding those things, what is used and how and finding what's reality, makes the movie fun and interesting for me. Henry's full name is Henry Letham. Letham being an anagram for Hamlet. A young woman, who served Henry a couple of times in a diner and could maybe help Henry is also actually rehearsing for a Hamlet play.


Some wonder about the ending and what Henry's choice was in the end. Because we never actually see whether he is dead or alive. Many are certain that his decision is obvious however. Watch the movie and make your own decision about that. For those of you who like rather calm soundtracks “Stay” might be one for you. It was written and played by Asche & Spencer.


Until next blog,
sarah

Monday, 30 June 2014

M&M: Prestige


Dear reader,

today I want to introduce you to a movie with magicians and about magic. No, of course not Harry Potter! Probably everyone knows that magician already, even those among you, who didn't read the books or watched the movies know enough for me not to write about him in my blog.

The movie “Prestige” is from 2006 with Christian Bale as Alfred Borden and Hugh Jackman as Robert Angier. Borden and Angier work together at first. Although Borden is the younger magician and more a helper or stooge playing an audience member. One day an escapology act goes terribly wrong though and Angier's wife, who is bound underwater in a watertank dies. Since Borden as an audience member tied the important knot, Angier makes him responsible for the death of his wife. Needless to say that they go their separate ways after that. Although not quite, because both spend a lot of time to bust the other and being the better, if not the best magician.

Both develop a number: they go into one cabinet and seconds later, the step out from a second cabinet. That's the main principle of the big number they both have. Is Borden using a double? But Angier, in one of his bustings hurts Borden that he actually lost fingers on one hand and Borden stepping into the cabinet as well as the one stepping out are missing those fingers. Angier on the other hand (no pun intended) is travelling from great britain to america to meet the physicist Nikola Tesla (David Bowie). Tesla really existed and was famous for unusual inventions. To this day it's not known how some of his inventions he presented actually worked. In “Prestige” we see that he hands Angier a light-bulb which then lights up in his hand like that. But are feats and inventions like that enough to give Angier a second man?

Angier wants to destroy Borden desperately and definitely. That means that he has to set him up. During a performance Borden gets to enter the backstage area and sees Angier seemingly trapped in the watertank. The top lid can't be opened anymore. Angier drowns. This leads to a trial. Borden, meanwhile with a wife and a daughter, faces a possible death sentence. His life up to that point is the main part of the movie. In prison, waiting for his execution, Borden gets a visitor. Only when that man tells Borden that he'll take care of his daughter from now on and is about to leave, does Borden recognise that man. It's Angier! So Borden is no murderer!

At the end both magicians paid a high price for their big number and they know the secret of the other ones trick and what that trick has cost him.

For me “Prestige” is something special, because I'm interested in magic and do a bit of magic myself. I guarantee you that almost all tricks are real and possible, the way they are presented. The tricks are actually learnt and performed in front of the camera by the actors, quite unlike “The Illusionist”. “The Illusionist” is very disappointing in that regard, because many things would be real, but were quite visibly, at least for me, done with “film tricks”. “Prestige” is as real in the magic it shows as it can be with a movie like that.

My top favourite scene of all in the movie is when Borden is in prison and gives the warden a wipe. He does that with a combination of two main principles. He shows the warden a ball and throws him in the air. Once. That's supposed to be a magic trick? A second time. Okay, we get it now. On the third throw we look up and often the magician doesn't throw the ball really at that time. The human eye is used to the routine of the ball in the air, it looks like the ball vanishes in thin air. The second principle is to seemingly let the trick go wrong. The magician looks like an idiot. When Borden throws the ball a third time, he doesn't catch it and the ball drops off the table. The great magician is in prison for murder and can't even escape like Houdini, and then he can't even catch a ball properly.The warden likes that, of course, up until...

A couple of magic notes and anecdotes for those interested:
- Teslar isn't the only real person in "Prestige". In a performance Borden sees a chinese, Chung Ling Soo, who deceived the world (including Harry Houdini!) In reality he was an american by the name of William Ellsworth Robinson. But the first and only english words he ever spoke on stage would be shortly before his death, "My God, I've been shot."
- He was shot performing the so called "Bullet Catch", a classic magic trick, which Borden will perform in the movie, too. Robinson is one of the 11 magicians, who didn't take enough precautions, which cost them their lives.
- Other classic magic tricks performed in the movie are: the water tank (made famous by Harry Houdini especially), the "chinese linking rings", coin magic, the bullet catch. I don't know what the trick is called, but Angier tries to do one once where different objects are revealed from the long coat of the magician, usually ending with the revelation of a huge bowl filled with water and a gold fish in it.

I admit I haven't seen the movie in a long time. So I can't think of any more notes and anecdotes just now. Probably I missed some. If I should think of more, I'll add them here later. Anyway, the movie is a real pleasure for me to watch as someone interested in magic and sort of performer in magic myself, I love it for the relation to reality and because almost all of the tricks can be done that way, as you see them.

Also I like the soundtrack by David Julyan a lot.

The movie was made on the basis of the book by Christopher Priest with the same title. Like so often the case, the book is different from the movie. Angier and Boden never worked together. Angier's wife never died, but was pregnant and lost her baby because of Borden. The book is separated in different parts as diary entries which one reads and the rivalry goes on for several generations. The history of magic is more fleshed out. The background story of what life was like for the two magicians before they were on stage performing can be read. The book is different. Film and book are just two different media with their individual ways of story telling and creating suspense.

Until next blog,
sarah